As mentioned in my earlier post, this is my entry to the DSWF - WAY09 competition.In this post, I'm going to show close-up images of each section of the piece and include the photographs I wor
ked from.The photographs were taken by myself with my Canon EOS 400D SLR camera. All are of captive birds taken during falconry displays, so they were quite content to pose for the camera ;)
Here we have the image of the buzzard in flight, along with the cropped photo worked from.
This particular image was painted using 'Reeves - Watercolours'.
Next up with have a sepia pencil sketch portrait.
As you can see the photo was of the entire bird but I decided to us a
sketching effect and focus all the detail on the head.
The third and final of the smaller sections of the piece, brings us to a full graphite rendering of a buzzard about to land.
Pencils used for this w
ere a combination of H's (3H, 2H & H) of WHSmith brand, and B's (2B, 3B & 4B) of Derwent Artists'.The photo; like the flying one above; was takin
g with high speed shutter and rapid shutter settings on the camera. Making certain that out of a series of ten images, just the one would have the right pose to use.Finally, here are two close-up sections of the main picture.
The first is a detail of the wings/feathers. This was achieved with the use of a wa
tercolour wash and the the detail added over the top, using 'Derwent Artists' Coloured Pencils'.The Second is a close-up of the head. Like the wings, the feathers on the head were coloured pencils over the top of
watercolour. However, to achieve the 'punch-out' of the eye and beak as centre-points of the whole piece, I turned to 'Daler Rowney System 3' Acrylic paints.The photograph owes a great deal of thanks to the man 'flying' the buzzard that day - for he decided to said the bird over to a perch in perfect line of my camera and without any people in the way. And thanks to that, the background was only the mottled green of the foliage around.
